I am definitely ready for spring (and summer) as you can see with these spontaneous woodland scenes-
Channeling memories of sun-dappled forest floors on summer afternoons in this very spontaneous painting-
I started out with a mat board coated in black gesso that rapidly grew into this very impressionistic landscape. I find working on dark backgrounds can really help with building up depth- plus you don’t have this bright background glaring at you with it’s whiteness. Note the heavy brushstrokes built up from working wet in wet-especially in the highlights.
I finally got a chance to try out the jewelry wire I bought months ago-
The pendant itself is a large (and strangely sparkly) calcite crystal I found on hike in the mountains behind my Mom’s house. I went with a very minimalist approach to the wiring allowing it to appear in only a few key spots on the front- just enough to hold the stone in place. I went with the silver wire which I think meshed best with the milky white mottled with gray and orange of the calcite crystal.
It’s been a very productive weekend and now I have a large batch of spoon rests, soap dishes, platters and bowls on the drying shelf-
All of these pieces were made from “reconstituted” porcelain clay that were part of previous sculptures that split during the drying process. I will be drying them very gradually and I’m keeping my fingers crossed that they will survive.
Since I have been having some issues with the porcelain clay splitting during the drying process I decided to try out a stoneware clay. This stoneware clay is similar to porcelain but contains “grog” -a prefired material ( in this case a fine sand) that will not shrink during drying and renders the clay less prone to splitting and cracking. It seems to dry a little grayer in color than the porcelain clay but other than that it has very similar working properties-
The colors- especially of the sea- are spot on in this painting from memory of the Atlantic from my trip to the Outer Banks last August.
My first batch of experimental sea forms turned out beautifully-
These free-form sculptures took on a variety of oceanic forms- Seashell shaped soap dishes, primitive sea sponge like goblets and vases and leafy, algae like platters and luminaries. With the glazes I experimented with mottled, oyster shell finishes and smooth transitions from areas of clear glaze into patches of intense color.
Another batch of leaf-shaped porcelain spoon rests and soap dishes are glazed and out of the kiln-
The first batch of porcelain holiday ornaments are glazed and out of the kiln-
So I made a huge batch of porcelain necklace pendants and after bisque firing them I tried out each different glaze on the shelf . I also experimented with an array of different layering combinations and blends. Most importantly I wrote down (in tedious detail) what I did on each of them-