Ceramics in Progress – September 2019

Finally had a chance to make a few somethings out of a big block of red stoneware clay that we bought last summer (?) and has been sitting around the store ever since-

Some *potential serving bowls and soap dishes

Small and Medium sized planters

Wax tart burners/ luminaries and chafing dishes

These tiny vases would be great for flower buds or air plants. The medium sized vases would be great for succulents or small ferns (and flowers of course).

I made a bunch of serving bowls that could also double as pots for plants that don’t need a lot of soil- like the mosses I’ve been experimenting with.

You’ll notice all of these have little feet which not only make them stand out more but I think will nicely compliment the Raku- like glazes they will be getting once they dry. Keep your fingers crossed they survive the firing process.

 

Functional Arts and Crafts- Making a Mirror

Easy as 1-2-3-

First I took a plate of clear picture framing glass and rubbed it down with alcohol to thoroughly remove any grime or oils. The glass’ surface must be  scrupulously clean- if it is not you’ll have issues with  peeling later on.

Then I drew up a little design for some corner ornaments on a post it note. I placed that under each corner and carefully dabbed on a thick coating of contact gilding adhesive. I used Pebeo’s Gedeo Mixtion Relief which comes in an easy-to-use tube with a fine-tip applicator. The adhesive is white when wet but dries clear. Remember you are reverse gilding/silvering- so you will be working in reverse on the inside surface of the soon to be mirror.

After the adhesive dried I cut up a sheet of 23 kt transfer gold leaf. I then carefully pressed the leaf (gold side down) into the adhesive. The parchment backing of the leaf was peeled back leaving the gold thoroughly stuck in place on the ornaments.

After the gilding size has cured for a few days I dusted off the excess gold leaf and sealed up the ornaments with a layer of raw sienna acrylic paint- which gives the overlying layer of gold a richer color and renders the ornaments opaque-

Next I turn the glass into a mirror with some handy-dandy Looking Glass Silver spray paint from Krylon-

The Looking Glass paint is easy to use- just make sure to apply it in multiple thin coats or the mirror with develop a blotchy appearance. Do this outside. Yeah note the weird reflections around the mirror-in-progress above- I did this in the parking lot against my car using a sheet of old plexiglass as a shield- hence the hubcap visible in the upper left.

After the spraypaint has dried (which only takes a few minutes) it needs to be top coated with something to protect it- I find Rust-Oleum’s Matte Clear Enamel works wonderfully. The enamel coating seals up the looking glass coating and it’s matte appearance makes the reflective finish more pronounced and brighter.

After the enamel has cured for a bit the mirror is ready to be framed. I placed this mirror in a cassetta-style frame I made a few years ago. The gilt ornaments beautifully complement this simple but classic molding profile.

A slightly closer view-

The Looking Glass paint gives a softer reflective effect than commercially made mirrors. It also has a slight texture to it (due to the droplets of paint) and with a dark board placed behind it takes on the appearance of an antique mirror.

Fresh out of the kiln 5/03/18

My first batch of pottery made with brown stoneware clay have finally been glazed and fired-

For this batch I applied an underglaze of Amaco’s Satin-Matte White and top coated that with their Satin-Matte Clear Glaze. Upon firing the white and clear glazes melded beautifully creating a creamy, grayish-white hue. The underlying khaki color of the brown stoneware clay really gives a wonderful depth to the finish. My favorites from this batch are these vaguely sea sponge-like luminaries which all miraculously survived.

Unfortunately only one of the bivalve-shaped napkin holders survived, and it shrank so much I think it works better as a sponge holder. The pieces I specifically intended to be sponge holders turned out nicely though.

All of the soap dishes survived- and I especially like how the clam shell-shaped ones turned out with the creamy white glaze.

A couple of serving bowls. The lip of these bowls undulates which gives them built in spoon rests.

Some oyster shell shaped spoon rests- the glaze looks perfect on these.

A cluster of miniature flower bud vases.

Some larger vases-

While these may seem purely decorative and very delicate these ceramics are both functional and quite sturdy.

Back in the game

So after a couple months hiatus I managed to have a very productive weekend of sculpting-

Luminaries, vases and napkin holders made from a light brown stoneware clay

In this batch I have made a variety of kitchen implements and vessels with a new stoneware clay that should come out a dark beige color. *If* they survive I’m thinking I’ll coat them with a distressed layer of warm white glaze and over top that with a clear layer which should give the appearance of antique ironstone pottery.

Two spoon rests and a soap dish.

This pieces in this collection, like most of my work, has a very organic look to it. The spoon rests and napkin holders look vaguely like seashells.

The napkin holders remind me of ancient brachiopod fossils.

My favorites from this batch are the luminaries which resemble primitive sea sponges-

A trio of very organic looking luminaries.

I really hope the luminaries survive as they were very time consuming to make. Each little hole in them is a potential starting point for cracks. With any luck these pieces will survive the slow drying process over the next couple weeks and then it will be time to glaze them.

 

Experimental Forms

I had a few scraps of stoneware clay so I decided to try sculpting out some physical forms of the vague shapes that had been floating around in my mind-

Macaroni vase A potential macaroni vase[/caption]

I had seen a macaroni vase in a recent issue of Better Homes and Gardens and decided I would try to make one using a flat slab of clay instead of a a wheel-since I do not have a throwing wheel. I rolled out some leftover clay, cut an hourglass shape out and rolled it up. Then turned up the openings and molded the lips a little.

Two incense holders and a strange cornucopia shaped dish Two incense holders and a strange cornucopia shaped dish[/caption]

I really hope the vaguely cornucopia shaped dish survives- it brings to mind some of the fossils I’ve found of primitive sea life.

IMG_5303 A slightly different view-

Just in time for Fall

I have a fresh batch of leaf-shaped spoon rests and soap dishes in all the hues of Autumn-

Stoneware Red Oak Leaf Spoon Rest with Autumn Scarlet Finish 01 Alas-only one of the Red Oak leaf shaped dishes survived- but the finish on it is perfect.

Stoneware White Oak Leaf Spoon Rest with Autumn Scarlet Finish 01 I love how the Temmoku underglaze interacted with the Satin Matte Red Glaze.The mottled effect is almost a dead ringer for real fallen oak leaves.

Stoneware Sugar Maple Leaf Spoon Rest with Autumn Gold Finish 01 Most of the Sugar Maple trees in the woods behind my parent’s house turn a pale gold mottled with brown and orange similar to the finish on these dishes.

Leaf shaped ceramic spoon rests in all the hues of Autumn from The Farmhouse Atelier 01 Ceramic leaf shaped dishes in shades of Autumn Scarlet, Gold and Celadon Green mottled with brown.

Ceramic Napkin Holders

Fresh out of the kiln- a batch of very organic-looking napkin holders made from porcelain and stoneware clay:

Stoneware Napkin Holder by MJ Seal with Chartreuse Finish 01 The bright acid-green coloration of the Chartreuse Finish is not exaggerated.

Stoneware Napkin Holder by MJ Seal with Celadon Green Finish 01 The shapes of these napkin holders reminds me of coralline algae. I love how the Celadon Green glaze on this piece turned out.

Napkin Holders by MJ Seal The green and blue coloration of these pieces mesh well with their leafy, coral-like forms.

Botanical Study of Wild Ginger

In this nature study painted from memory a clump of Wild Ginger grows in an old tree stump. Note the small, three-pointed, earthy violet flowers blooming at the base of the plant-

full view of woodland scene 23 an original painting on board by mj seal “Woodland Scene XXIII”- Original painting by MJ Seal. Acrylic on board, 11 1/4″ x 13 1/2″. C. 2017

Study of a Fallen Tree

A nature study of a (well rotted) fallen tree encrusted with Blue-green lichen, vibrant green moss and a variety of wild mushrooms-

full view of woodland scene twenty two an original acrylic painting on board by mj seal “Woodland Scene XXII”- Original painting by MJ Seal. Acrylic on board, 13″ x 11 1/4″. C. 2017