Finally framed

My first batch of winter landscape studies are finally framed and up on the walls-

“Winter Forest Late Afternoon”- Original painting by MJ Seal. Acrylic on board, 8″ x 10″. C. 2018-

 

 

For this piece I went with a distressed, dark pine frame I made from raw boards. The texture I gouged into the edges of the moulding compliment the expressive brushstrokes and texture in the paint surface.

“Snowbound Forest at Sunset- 1/15/18″- Original painting by MJ Seal. Acrylic on board, 13 1/2″ x 10 1/4”. C. 2018

For this painting I went with a walnut frame that I parcel gilt with composition leaf on the front surface. The bright gilt surface of the frame really makes the golden hues pop in this piece.

A clean, elegant walnut frame joined with keys and parcel gilt with composition leaf.

“Winter Forest at Morning- 1/15/18″- Original painting by MJ Seal. Acrylic on board, 8″ x 10”. C. 2018

 

The warm metallic gray of the silver leaf in this frame warms up the highlights in the painting and helps to tone down the blues of the shadow areas.

 

The rich dark brown of this frame helps to warm up this piece and compliment the purplish gray ground. The texture of the olivewood veneer blends in nicely with painterly tree trunks. This is the only frame in this bunch that I did not make myself.

“Winter Forest in a Snowstorm- 1/15/18″- Original painting by MJ Seal. Acrylic on board. 14″ x 10 1/4”. C. 2018

 

“Snowbound Forest- 1/16/18″- Original painting by MJ Seal. Acrylic on board, 10″ x 14 3/4”. C. 2018

 

For this piece I went with a simple, “bump” profile moulding. The grain of the oak plays off the movement of the snow covered trees and winding grape vines. The rich, golden color of the finish cools down up the warm gray hues in the painting.

 

“Snowy Winter Forest- 1/19/18″- Original painting by MJ Seal. Acrylic on board, 7″ x 10”. C. 2018

For the last two paintings I went with a very clean museum profile that was painted black and gilt on the top surface with aluminum leaf. The cool silver tones of the aluminum leaf make the cool whites of the painting seem warm by comparison. The depth of the moulding and the contrast between the flat black of the sides of the frame and the gilt front surface really makes these pieces pop off the wall.

 

“Snowy Winter Forest- 1/16/18″- Original painting by MJ Seal. Acrylic on board, 10″ x 7”. C. 2018

Wishful Thinking

The colors- especially of the sea- are spot on in this painting from memory of the Atlantic from my trip to the Outer Banks last August.

Seascape painted by MJ seal
“Seascape II”- Original painting by MJ Seal. Acrylic on board, 8″ x 10″. C. 2016
Full view of a gingko leaf shaped spoon rest by MJ Seal

Do you see any Gold?

So with this Gingko leaf shaped spoon rest I wanted to try glazing with actual gold leaf. It was first coated along the back and sides with Temmoku (a brown/black glaze) the the top was coated with Nutmeg (an orange-brown glaze). I then basically water gilt the top part with 24 kt gold leaf using “magic water” (a glass forming liquid – basically water with a high amount of silica). When it dried I topcoated the gold with a “clear” glaze. The results were not quite what I expected-

a gingko leaf shaped spoon rest with an onyx finish by MJ Seal
This leaf developed a beautiful onyx like finish upon firing.

While the “clear” glaze actually came out very cloudy- and the gold leaf seemed to magically disappear- the final results were actually quite beautiful. The clear glaze developed striations-like you would find in onyx- where the gold leaf had crackled underneath. And in these if you look really closely you can see tiny specks of the gold leaf caught in the clear glaze.

close up view of a gingko leaf shaped spoon rest by MJ Seal
A close up view of a Gingko Leaf Spoon rest with an Onyx finish. If you look closely you can see minute specks of the gold leaf that bubbled up in the crackles of the clear top coat.