Fresh out of the kiln 5/03/18

My first batch of pottery made with brown stoneware clay have finally been glazed and fired-

For this batch I applied an underglaze of Amaco’s Satin-Matte White and top coated that with their Satin-Matte Clear Glaze. Upon firing the white and clear glazes melded beautifully creating a creamy, grayish-white hue. The underlying khaki color of the brown stoneware clay really gives a wonderful depth to the finish. My favorites from this batch are these vaguely sea sponge-like luminaries which all miraculously survived.

Unfortunately only one of the bivalve-shaped napkin holders survived, and it shrank so much I think it works better as a sponge holder. The pieces I specifically intended to be sponge holders turned out nicely though.

All of the soap dishes survived- and I especially like how the clam shell-shaped ones turned out with the creamy white glaze.

A couple of serving bowls. The lip of these bowls undulates which gives them built in spoon rests.

Some oyster shell shaped spoon rests- the glaze looks perfect on these.

A cluster of miniature flower bud vases.

Some larger vases-

While these may seem purely decorative and very delicate these ceramics are both functional and quite sturdy.

Finally framed

My first batch of winter landscape studies are finally framed and up on the walls-

“Winter Forest Late Afternoon”- Original painting by MJ Seal. Acrylic on board, 8″ x 10″. C. 2018-

 

 

For this piece I went with a distressed, dark pine frame I made from raw boards. The texture I gouged into the edges of the moulding compliment the expressive brushstrokes and texture in the paint surface.

“Snowbound Forest at Sunset- 1/15/18″- Original painting by MJ Seal. Acrylic on board, 13 1/2″ x 10 1/4”. C. 2018

For this painting I went with a walnut frame that I parcel gilt with composition leaf on the front surface. The bright gilt surface of the frame really makes the golden hues pop in this piece.

A clean, elegant walnut frame joined with keys and parcel gilt with composition leaf.

“Winter Forest at Morning- 1/15/18″- Original painting by MJ Seal. Acrylic on board, 8″ x 10”. C. 2018

 

The warm metallic gray of the silver leaf in this frame warms up the highlights in the painting and helps to tone down the blues of the shadow areas.

 

The rich dark brown of this frame helps to warm up this piece and compliment the purplish gray ground. The texture of the olivewood veneer blends in nicely with painterly tree trunks. This is the only frame in this bunch that I did not make myself.

“Winter Forest in a Snowstorm- 1/15/18″- Original painting by MJ Seal. Acrylic on board. 14″ x 10 1/4”. C. 2018

 

“Snowbound Forest- 1/16/18″- Original painting by MJ Seal. Acrylic on board, 10″ x 14 3/4”. C. 2018

 

For this piece I went with a simple, “bump” profile moulding. The grain of the oak plays off the movement of the snow covered trees and winding grape vines. The rich, golden color of the finish cools down up the warm gray hues in the painting.

 

“Snowy Winter Forest- 1/19/18″- Original painting by MJ Seal. Acrylic on board, 7″ x 10”. C. 2018

For the last two paintings I went with a very clean museum profile that was painted black and gilt on the top surface with aluminum leaf. The cool silver tones of the aluminum leaf make the cool whites of the painting seem warm by comparison. The depth of the moulding and the contrast between the flat black of the sides of the frame and the gilt front surface really makes these pieces pop off the wall.

 

“Snowy Winter Forest- 1/16/18″- Original painting by MJ Seal. Acrylic on board, 10″ x 7”. C. 2018